Born - 1506
Died - 1589
Achievements - Miyan Tansen, who was one of the nine jewels or
navaratnas in the court of Emperor Akbar, is regarded as the greatest of
all musicians India has ever produced till date. He has composed several
ragas and is said to have played a pivotal role in crating the classical
genre of north Indian music we know today.
Miyan Tansen, who was one of the nine jewels or navaratnas in the court
of Emperor Akbar, is regarded as the greatest of all musicians India has
ever produced till date. Normally referred to as just Tansen, he is said
to have played a pivotal role in crating the classical genre of north
Indian music we know today. Read on to know more about Tansen, who was
born in a Hindu family at Behat near Gwalior in the Madhya Pradesh
state.
Makarand
Pande, the father of Tansen, was a poet and had originally named his son
Ramtanu. Having an inclination towards music from childhood, this boy
started taking a musical training under the legendary Swami Haridas from
the Indian holy city of Brindavan and later became a singer in the court
of King Ramchandra of Reva. From here, he was passed on to the court of
Emperor Akbar as a gift. And it was here that the life history of Miyan
Tansen changed forever.
The title Miyan was conferred upon Tansen by Emperor Akbar and he
embraced Islam at the hands of the great Sufi mystic Shaykh Muhammad
Ghaus of Gwalior, who acted as both his teacher and spiritual guide.
Apart from his own guru, Tansen is said to have no equal during his
time. Infact his voice was so melodious that it's often said to have
created miracles while Tansen was singing. For instance, Tansen could
beckon the rains by Raga Megh Malhar and light up fires with Raga
Deepak.
The legendary Miyan Tansen is said to have composed numerous ragas,
which have continued to remain cornerstones in the Indian classical
music repertoire ever since. Some of them are Miyan ka Bhairav known
today as Bhairav, Darbari Todi, Darbari Kanada, Miyan ki Todi, Miyan ki
Malhar, Miyan ki Mand, Miyan ki Sarang and Rageshwari. Almost every
gharana or school strives to trace its origin to him, though some try to
go further back to poet Amir Khusrau.
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